Friday, 9 October 2015

Visual Literacy - The Language of Design

LECTURE NOTES
  • It is our job to communicate/solve problems through it and we need to be able to effectively communicate to different audiences in a range of contexts.
  • VISUAL COMMUNICATION: The process of sending and receiving; it is based on a shared understanding, affected by audience, context, media and method of distribution.
  • VISUAL LITERACY: The ability to construct meaning from image/motion, interpreting images of present, past and different cultures and producing images to communicate a message to an audience.
  • The ability to interpret, negotiate, make meaning.
  • Once we understand the basics of these things we can start to change the meaning. (bring humour to it)
  • Visual language is based on the idea of images that can be read, although there has to be an agreement amongst a group of people that one thing will stand for another for it to be a global language.
  • Being visually literate requires an awareness of the relationship between Visual Syntax and Visual Semantics.
  • VISUAL SYNTAX: The building block of an image relating to how we create logical meaning (pictorial structure & visual organisation)
  • More can be interpreted from an image than a word as the meaning is undefined.
  • Our job is to control the image so that people can interpret it how we want them to.
  • VISUAL SEMANTICS: The way an image fits into a cultural process of communication, we cannot change or interfere with this, only consider it. (Cultural references, social ideals)
  • This includes a relationship between form and meaning.
  • SEMIOTICS - The study of signs and processes, indicate, designation, likeness, symbolism - closely related to the field of linguistics, which studies the structure and meaning of language.
  • It also studies non-linguistic sign systems, visual language and visual literacy. (Symbol, Sign, Metaphor)
  • SYMBOL: What it symbolises (example used Apple)
  • IDENTITY: It becomes a sign for apple products and the company
  • BRAND: What it signifies (In this case: quality, innovation)
  • The 'Big Apple' could symbolise NY and new meaning can come to symbols.
  • VISUAL SYNECDOCHE: When a part is used to represent the whole, or vice versa. The main subject is simply substituted.
  • VISUAL METONYM: A symbolic image that is used to make reference to something with a more literal meaning, two images bare a close relationship.
  • VISUAL METAPHOR: It is used to transfer the meaning from one image to another, conveys an impression about something unfamiliar, comparing or associating it with something familiar.
  • "WORK THE METAPHOR"
  • Work on what things can mean, say or stand for.
  • You can start to control visual communication and work visual literacy this way.

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